A photographer for CSI fans, Hardy’s elaborately organized empty rooms are saturated with lights, colors, and signs of recent activity. Teasing our instinct to string causal chains where there may be none, Hardy even baits images with labels and cues. But being lured into her work is less like getting trapped than being put on a stage and left to play with props and costumes.
Closes 5/17.
This review will appear in the May 7 issue of The L Magazine.
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