The narrative unfolding through the rooms of the New York-based photographer’s show approximate a micro-history of art. In the first room, two innocuous realistic mountainscapes smack of academicism; adjoining rooms add impressionistic hues and expressive details. Over another threshold and the narrative crashes into modernism and postmodernism: the mountain is replaced by its negative; miniature mountainscapes cluster, floating in pictorial space. Finally, the image shatters into colorful fluttering splinters of itself. Closes 6/21.
No comments:
Post a Comment