 In my review of the latest entry in the blockbuster street racing franchise, I discuss the mythology that has evolved during the Fast and Furious saga, the integral role of Vin Diesel as the series' much-needed core, and the stripped, sleek approach this new episode takes. Though more entertaining and less worried about creating any semblance of a plot than its three predecessors, Fast and Furious still suffers from the same tragic writing, horrendous acting and delirious self-seriousness. Moreover, its sacrifice of Michelle Rodriguez's character – the only exception to the series' rule that women are objects of slightly less value than cars – makes Fast and Furious's gender politics more dire, and bodes poorly for the inevitable sequel (titled Fast Furious?). Read my whole review here.
In my review of the latest entry in the blockbuster street racing franchise, I discuss the mythology that has evolved during the Fast and Furious saga, the integral role of Vin Diesel as the series' much-needed core, and the stripped, sleek approach this new episode takes. Though more entertaining and less worried about creating any semblance of a plot than its three predecessors, Fast and Furious still suffers from the same tragic writing, horrendous acting and delirious self-seriousness. Moreover, its sacrifice of Michelle Rodriguez's character – the only exception to the series' rule that women are objects of slightly less value than cars – makes Fast and Furious's gender politics more dire, and bodes poorly for the inevitable sequel (titled Fast Furious?). Read my whole review here.
Fast and Furious
 In my review of the latest entry in the blockbuster street racing franchise, I discuss the mythology that has evolved during the Fast and Furious saga, the integral role of Vin Diesel as the series' much-needed core, and the stripped, sleek approach this new episode takes. Though more entertaining and less worried about creating any semblance of a plot than its three predecessors, Fast and Furious still suffers from the same tragic writing, horrendous acting and delirious self-seriousness. Moreover, its sacrifice of Michelle Rodriguez's character – the only exception to the series' rule that women are objects of slightly less value than cars – makes Fast and Furious's gender politics more dire, and bodes poorly for the inevitable sequel (titled Fast Furious?). Read my whole review here.
In my review of the latest entry in the blockbuster street racing franchise, I discuss the mythology that has evolved during the Fast and Furious saga, the integral role of Vin Diesel as the series' much-needed core, and the stripped, sleek approach this new episode takes. Though more entertaining and less worried about creating any semblance of a plot than its three predecessors, Fast and Furious still suffers from the same tragic writing, horrendous acting and delirious self-seriousness. Moreover, its sacrifice of Michelle Rodriguez's character – the only exception to the series' rule that women are objects of slightly less value than cars – makes Fast and Furious's gender politics more dire, and bodes poorly for the inevitable sequel (titled Fast Furious?). Read my whole review here.
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